Diversity in Disney Films: Critical Essays on Race, by Johnson Cheu

By Johnson Cheu

Even supposing its early movies featured racial caricatures and solely Caucasian heroines, Disney has, lately, develop into extra multicultural in its filmic fare and its photo. From Aladdin and Pocahontas to the Asian American boy Russell in Up, from the 1st African American princess within the Princess and the Frog to "Spanish-mode" Buzz Lightyear in Toy tale three, Disney motion pictures have come to either replicate and impression our more and more assorted society. This essay assortment gathers contemporary scholarship on representations of variety in Disney and Disney/Pixar movies, not just exploring race and gender, but additionally drawing on views from more recent parts of analysis, really sexuality/queer reviews, severe whiteness reports, masculinity reports and incapacity stories. overlaying a big selection of flicks, from Disney's early days and "Golden Age" to the Eisner period and present fare, those essays spotlight the social influence and cultural value of the leisure large.

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By Johnson Cheu

Even supposing its early movies featured racial caricatures and solely Caucasian heroines, Disney has, lately, develop into extra multicultural in its filmic fare and its photo. From Aladdin and Pocahontas to the Asian American boy Russell in Up, from the 1st African American princess within the Princess and the Frog to "Spanish-mode" Buzz Lightyear in Toy tale three, Disney motion pictures have come to either replicate and impression our more and more assorted society. This essay assortment gathers contemporary scholarship on representations of variety in Disney and Disney/Pixar movies, not just exploring race and gender, but additionally drawing on views from more recent parts of analysis, really sexuality/queer reviews, severe whiteness reports, masculinity reports and incapacity stories. overlaying a big selection of flicks, from Disney's early days and "Golden Age" to the Eisner period and present fare, those essays spotlight the social influence and cultural value of the leisure large.

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Extra info for Diversity in Disney Films: Critical Essays on Race, Ethnicity, Gender, Sexuality and Disability

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Joel Chandler Harris’ “Uncle Remus” books became classics for their supposed authentic offerings of African American vernacular, storytelling and cultural detail. The heroic trickster tales of “Bre’r Rabbit, Bre’r Bear and Bre’r Coon,” for example, emerged from his writings. 11. The official licensed items were a stencil set, candy bar and button. 12. html 13. When the Whitney Museum relocated uptown in 1953, five of the murals were sold to the New Britain Museum of American Art in Connecticut. 14.

Walt Disney’s increasing attempts to express fantasy in realistic terms are aesthetically questionable precisely because they comply with the cinematic approach. There is a growing tendency toward camera-reality in his later full length films. 10 In Kracauer’s view, animation is an inherently fantastic form of cinema and therefore Disney’s attempt to depict cinematic realism, either by the “illusion of life” techniques or by creating hybrid forms, such as those featured in the “Good Neighbor” films, was necessarily a poor format to exploit the aesthetic qualities of the medium.

Html>. Fain, Sammy, orch. ” By Sammy Cahn. 1953. Harris, Joel Chandler. The Tar Baby and Other Rhymes of Uncle Remus. Bedford: D. Applewood and Company, 1904. Heer, Jeet. ” Virginia Quarterly Review 82:2 (2006): 104 – 21. Jefferson, Thomas. Notes on the State of Virginia. Philadelphia: Prichard and Hall, 1788. Porter, Cole. ” Anything Goes. Alfred Publishing, 1934. Vinyl recording. ” Clements Library, University of Michigan. html. October 19 2009–February 19, 2010. , and Elizabeth S. Wing. Zooarchaeology.

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