Even though bell hooks has lengthy challenged the dominant paradigms of race, classification, and gender, there hasn't ever been a accomplished publication significantly reflecting upon this seminal scholar’s physique of labor. Her written works target to transgress and disrupt these codes that exclude others as intellectually mediocre, and hooks’ problem to varied hegemonic practices has seriously motivated students in several components of inquiry. this significant source thematically examines hooks’ works throughout numerous disciplinary divides, together with her critique on academic conception and perform, theorization of racial development, dynamics of gender, and spirituality and love as correctives in postmodern existence. eventually, this publication bargains a clean standpoint for students and scholars eager to have interaction within the trendy paintings of bell hooks, and makes on hand to its readers the complete value of her paintings. Compelling and unparalleled, Critical views on bell hooks is a must-read for students, professors, and scholars attracted to problems with race, classification, and gender.
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Extra info for Critical Perspectives on bell hooks (Critical Social Thought)
S. It is this contradiction between freedom and domination that opens new questions about the relation between the experimental character of women’s literature and the innovative aspect of democratic struggles. What does the heteronomous autonomy of modern literature mean when transformative potential is associated not only with art but also with political action? And conversely, how can we think the innovative aspect of gender and the racial politics of modernity vis-à-vis experimental aesthetics?
This juxtaposition of suffrage militancy with aesthetic and political theory allows us to rethink the pervasive modernist preoccupation with the new beyond mere formal experimentation for innovation’s sake and address it instead in the context of political struggles. Without this intersection between political and aesthetic struggles, it is all too easy to dismiss the rhetoric of the new as a symptom of either the aestheticization of politics or the commodiﬁcation of art instead of recognizing it as the transformative political and aesthetic force.
PART I Revolutionary Praxis and Its Melancholic Impasses 1 On Suﬀrage Militancy and Modernism Femininity and Revolt In studies of Western modernism and modernity we encounter an unresolved and endlessly replicated contradiction between “revolutionary” and melancholic politics and art. How should we interpret this contradiction rather than reproduce it by privileging either the revolutionary or melancholic side of modernism? How is the divide between revolt and melancholia implicated in gender and race politics?